Torii gate and forecast stone
A stone wall
Five storied pagoda
Last instruction of Ieyasu
Omotemon gate and Nioh statue
Three sacred warehouses
Rest room for the God
Shinkyu sacred stable
Story of three monkeys
Kouya-maki black pine
Omizuya water house
Torii bronze gate
Youmeimon gate
Over 500 sculptures
Frame of Ieyasu's designation
Inverted pillar
Human sculpture
Children and Ieyasu
Shed for sacred sedan chair
Kaguraden stage
Restoration of cultural property
Kitouden prayer hall
Karamon gate
Sleeping cat
Sakashita-mon gate
Kairou corridor
Honsha central shrine
General's room
Stone room
Haiden Oratory
Honden main hall
Spiritual animal
Nature
Okusha inner shrine
Okusha Haiden Oratory
Inukimon gate
Okusha treasure tower
Showrow bell tower, Korou drum tower
Crying dragon
Lanterns
Korean bell
Carvings on the wainscot
Jumping lion
Rinzo revolving shelf
Former Karamon gate,
Torii stone gate
Person's face on the trunk
Toshogu Treasure House
Guest hall
Toshogu Museum of Art
Traditional event
Samurai-style 1,000-person procession
Omamori
(Charm in brocade bag)

Life for Restoration of Cultural Property
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Mr. Hokusai Yoshihara, a Japanese Painter-


Mr. Yoshihara makes a rough sketch for restoration. He restores traditional technique.

 

Mr. Hokusai Yoshihara (1927-98) was born in city of Imaichi, Tochigi. Imaichi is an entrance of Nikko City.

"I was not healthy kid, and frequently visited to a Kano painter's house. My painting skill improved naturally as I was playing there. " Mr. Hokusai said.

It is interesting that restoration of sculpture and painting are handled by Mr. Yoshihara, who knows skill of Kano school.

"For sculpture and coloring, there are 35 steps each from draft in the case of Toshogu. Therefore, colors are not come off easily even though it is in the sun light everyday. Also, I just use 7 colors only. However, it looks as if thousands of colors have been used because of random reflection of an ultraviolet ray. For example, greenish blue stands out in the morning sun, vermilion stands out in the daylight, and ultramarine stands out in the evening sun. " Mr. Yoshihara explained.

Mr. Yoshihara has a strict judgement for painting. One day, he saw a new Japanese painting drawn by a famous painter. He whispered to his friend, "Colors will be come off 1 year later." The colors of the painting were come off as Mr. Yoshihara mentioned.

"Technique that ancestors left, is great. However, it declines as time goes by. I am so sorry that I have no successor even though my duty is to pass down my skill to the next generation." He upseted.

Mr. Yoshihara took 15 years to restore Mitsuda-e (Roughly means ancient oil painting). The Mitsuda-e is resistant to ultraviolet ray and water. Also, Mitsuda-e was secred method of Kano school at the first time, no one could restore it after the Meiji period.

There is a possibility that Mr. Yoshihara's effort will be hidden in the history.



Restored Flying dragon of Omizuya, Toshogu


Instructing the authentic color and design to craftsman


Nikko Tourist Information Center
591, Gokomachi area, Nikko, Tochigi, Postal code:321-1404
TEL: +81-288-54-2496 FAX: +81-288-54-2495